Reviews
"I know people twice as experienced who couldn't produce something half as good"
-Ted Hoover | Pittsburgh City Paper
“Thankfully, director Justin Fortunato's production of Catch Me is just as slick as its source material, sliding breezily along from vignette to vignette. Lincoln Park's staging is a near-perfect production of a tricky little musical, and (just like the con artist at its center), it hits all the right notes"
-Greg Kristan | Broadway World
“Director Justin Fortunato infused a lot of movement into [The Chief], despite it employing only one actor and one set. Winters wanders Rooney’s office, taking things off of the walls and from the desk, with the stage lights brightening and dimming as he moves about. The production’s showiest moment comes toward the end when Winters excitedly recounts the Immaculate Reception, the celebrated 1972 catch by Franco Harris. Suddenly stage lights give way to football stadium-style spotlights as the actor dashes across the stage like it’s turned into a field. Lighting designer Nathan G. Phillips made that switch particularly striking.”
-Alexis Papalia | Trib Live
[Fortunato's Into the Woods] is a delight, such as most of the 13-minute opening number in which the cast deftly and crisply limns a volume of fairy tale characters interacting in an intricate web of music and lyrics.
-Bill Hirschman | Florida Theatre Onstage
“The Prime Stage production is under the very resourceful direction of Justin Fortunato and a design team working every theatrical trick it knows”
-Ted Hoover | Pittsburgh City Paper
Credit for bringing it all together goes to director Fortunato. I know people twice as experienced who couldn’t create something half as good.
-Ted Hoover | Pittsburgh City Paper